Bihag in addha teentaal on sitar by sameep kulkarni : AOL Video feed

Aaron’s Hammer

Mon, 21 Dec 2009 13:20:48 -0500

Vicki, Jeff deen & Mitch Kopp. Unplugged from recording to play this. What American Composer does she unfold into a direct quote? ... tabla violin "acoustic guitar" "acoustic music" "folk music" "unplugged music" "guitar technique" "violin technique" "tabla technique" "Indian Indian music" "healing music" "meditative music" "soothing music" "calming music" "happy music" "electric violin" "zakir hussain" "Sharda sahai" "benares tabla" shakti "N Rajam" khyal "benares raga" fusion "Michael ...

Under Glass

Mon, 21 Dec 2009 10:11:53 -0500

" during a recording session Nov 2009 www.vickirichards.net www.drummingforwellness.com www.magicpopulation.com ... tabla violin "acoustic guitar" "acoustic music" "folk music" "unplugged music" "guitar technique" "violin technique" "tabla technique" "Indian Indian music" "healing music" "meditative music" "soothing music" "calming music" "happy music" "electric violin" "zakir hussain" "Sharda sahai" "benares tabla" shakti "N Rajam" khyal "benares raga" fusion "Michael Hedges" "Jean Luc ...

Rajasthani Folk Melody - Krishna Bhatt, Sitar

Mon, 16 Nov 2009 20:53:12 -0500

This clip features a Dhun based on a Rajasthani folk song, Paniro Bharan Meto ... Sonaro Calasho Hoe (meaning "I’ll fetch water only if I have a golden pot"). It was recorded as part of a TV Asia Interview in the United Kingdom from the late 1980's. ... sitar raga hindusthani raag krishna mohan bhatt tabla

Dhun Vaishnav Jan To - Based on Raga Mishra Khamaj

Sun, 11 Jan 2009 18:44:39 -0500

This dhun is based on famous Gujarati Bhajan by Narsinh Mehta - "Vaishnav Jan To". This Bhajan was said to be favorite of Mahatma Gandhi and is very popularly sung in India. It is based on Raga Khamaj. This dhun also uses shades of other Ragas close to Khamaj family such as Jhinjhoti, Desh, Tilang and Malhar. Please visit www.bansuriflute.com for more.

Homayun Sakhi: The Art of the Afghan Rubab

Mon, 07 Dec 2009 11:06:03 -0500

From Kabul to California, Homayun Sakhi is admired as the outstanding Afghan rubâb player of his generation, a charismatic virtuoso who has pushed the limits of his instrument. With tabla player Taryalai Hashimi, Sakhi plays music that is uniquely Afghan, yet resonates strongly with the spirit of Indian raga. This documentary is part of Music of Central Asia, a co-production of the Aga Khan Music Initiative in Central Asia, a program of the Aga Khan Trust for Culture, and the Smithsonian Institution Center for Folklife and Cultural Heritage. The aim of the series is to present leading exponents of Central Asia’s rich and diverse musical heritage to listeners outside the region.Learn More

Ustad Bade Ghulam Ali Khan - Raag Kaushikdwani, Part 2, drut

Mon, 29 Oct 2007 06:43:25 -0400

aaj huni aiye balamwa... He inherited the formidable musical parampara (tradition) of Punjab that encompassed the Hindu, Muslim and Sikh religions. Saint Hazrat Bulleh Shah, whose Sufiana Kalam (Sufi song) is sung even today, was buried in Kasur, Ghulam Ali's birth place. The shepherds, wandering in the hills, sang in praise of Hazrath Ali andHussain -- grandsons of Prophet Muhammad -- in melodies akin to classical Indian ragas. The shabads and qawwalis of the Sikhs were often based on ancient Dhrupads and Khayals, again Indian classical ragas. In the biography of Bade Ghulam Ali Khan, authors Malti Gulani and Quratulain Haider have paid a rich tribute to the maestro. Ghulam Ali's uncle and guru, Ustad Kale Khan, was himself trained in the Patiala school of music (Patiala gharana); he taught the young Ustad simple compositions. In 1911, Ghulam Ali accompanied Kale Khan to Delhi, at the age of 9, and watched him perform at the 'Dilli Darbar'. Thus began the grooming and development of the musicalpersonality of the young disciple, alongside rigorous taleem (training) under his uncle's baton. Later after a brief acquaintance with Lucknow and its highly refined soirees, Ghulam Ali returned to Lahorewith his father and resumed his nightly riyaaz (practice) on the banks of the river Ravi. Singing all night not only developed his stamina, but also gave him the rare sensitivity to gauge the external response. In 1932, he lost his wife Allah Jiwai. His grief, poured into melody, gave birth to the immortal thumri: Yaad piya ki aye, reflecting the very trauma of his heart. On arrival in Mumbai in 1940, Ghulam Ali thrived under the benign patronage of the noted singer Ganga Bai. A Sufi at heart, he was once greatly moved by the poem Hari Om Tat Sat, and rendered it musically in the haunting raga Pahari. Years later, he explained, "God, Truth and Haq is one. I've Allah in my mind when I sing these words...Different people in the world have different names fo...

Kaushiki Chakrabarty - a bhajan in raag Bhairavi (1/2)

Wed, 02 Dec 2009 10:07:14 -0500

recording of her concert in Amsterdam, 15 April 2007 in Het Tropentheater. Kaushiki is accompanied on tabla by Subashish Bhattacharya and on harmonium by Vyasmurti Anandteerth Katti. On tanpura: Julia Ohrmann. The remainder of this performance you’ll find elsewhere on my Youtube-channel PieterdeRooijHolland. Hope you'll enjoy this video. ... "Kaushiki Chakrabarty" Desikan "Subashish Bhattacharya" "Vyasmurti Katti" "Pieter de Rooij" "Tonal Ties" raag raga "India Calcutta" Kolkata Patiala ...

Kapil Sri: "Ragas (Indian Classical music)"

Tue, 04 Dec 2007 13:54:38 -0500

This Raga piece is being played by Mr. Kapil guitarist (www.guitarmonk.com) on spanish guitar to be displayed freely to the world audience and viewers. This experimental raga piece demonstrates a pure Indian Classical piece and the scope of its playability on spanish guitar. This Raga piece is played without any ambience but a single track lead piece. We remind the viewers to understand its recording constraints as not broadcasting but information level only. Raga - Baageshri on guitar from kapilguitarist@gmail.com. This is a home recorded piece for entertainment, education and awareness. Feel free to mail your reviews to us for more free stuff and education. A viewer can consider the overall feeling, Ragas styles and complexity of leads and fingering as some of the interesting points in this video. We are looking forward to responses from the interested audience and would like to deliver more Raga pieces to the interested people. With Regards guitarmonk@gmail.com (Delhi, India)