Ideaspace (2004) : AOL Video feed

Swine Flu (H1N1) Cure

Tue, 28 Jul 2009 21:45:14 -0400

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Jessenia Nauta Reel 2007

Tue, 12 Feb 2008 10:02:40 -0500

Current Reel accumulation of Motion Graphics/ Compositing pieces created while attending School of Visual Arts (SVA) . Enjoy. Shot breakdown: Overall software used: Adobe Photoshop CS3, Adobe After Effects CS3, Adobe After Effects Illustrator CS3, Trapcode Particular, and Silhouette. 1. BIOSHOCK logo- Done using Adobe After Effects CS3 and Adobe Illustrator CS3. Solely Vector graphics created in Illustrator and animated in After Effects. No 3D elements used. 2. Wordplay (Fish and Time)- Done using Adobe After Effects CS3 for effects and text animation, Adobe Illustrator CS3 text creation, and stock images for texture. All 2-D. 3. Bee- Animation done within Adobe After Effects CS3, vector graphics within Illustrator CS3. 4. Imagine- Animation done within Adobe After Effects CS3, vector graphics within Illustrator CS3. 5. Typography: Little Miss Sunshine- Text animation and fonts withing Adobe After Effects CS3. 6. Park Scene 01- Personal images adjusted in Adobe Photoshop CS3 and animated/color balanced in Adobe After Effects CS3. 7. City/Traffic- City environment created through personal images and displaced in After Effects CS3. Traffic scene comprised of personal DV footage time-remapped and color corrected in After Effects CS3. 8. Candles- Fire and smoke done with Trapcode Particular. Candlestick animation done in Adobe After Effects and adjusted from a personal stock of photographs in Adobe Photoshop Cs3. 9. Train Scene- Roto work done in Silhouette. Both poster and footage of Child placed into the scene through Adobe After Effects CS3. Scene from the movie "Amelie" 10. Park Scene 02- Greenscreen footage keyed in Keylight. Photographs adjusted in Adobe Photoshop CS3 and animated in After Effects CS3. 11. Faux Starbuck Commercial- Collaborative piece with Andy Rifken. Software comprised of Adobe Photoshop and After Effects CS3, Keylight, and Trapcode Particular. Was in charge of the keying, color correcting, rotoscope, intro shots, particles for entire piece, environmental effects for rain scene and environment design/animation for winter scene.

Extracorporeal Shock Wave Lithotripsy

Sun, 03 Feb 2008 00:50:16 -0500

http://www.passkidneystones.com Extracorporeal shock wave lithotripsy (ESWL) uses shock waves to shatter kidney stones (one inch or less in diameter) into sand-like particles that can easily and painlessly pass out of the body through the urinary tract.

Teorias do Conhecimento - Empirismo

Mon, 24 Mar 2008 21:28:43 -0400

Filme produzido por quatro alunos da Escola Secundária de Palmela para a disciplina de filosofia no 11º Ano (2004/2005) sobre as Teorias do Conhecimento - Empirismo. Sinopse: Excerto de um telejornal com um comentário semanal sobre filosofia, durante o qual o telespectador vive duas viagens ao passado pela televisão. This film was made by four students of Escola Secundária de Palmela integrated in the philosophy subject (during the years 2004/2005) and it is about the philosophical Knowledge Theories - Empiricism. Abstract: During the second half of the news, while watching a weekly commentary about philosophy, the viewer experiences several time travels to the past in his television.

Kim Sozzi - Break Up

Wed, 25 Jun 2008 07:17:32 -0400

http://www.watcha3.com here\'s Kim Sozzi - Break Up. Kim Sozzi was born in a family of artists: her grandmother was an opera singer, and her grandfather was a jazz percussionist, and her father was a musician as well as owner and founder of an entertainment company. Her mother was a Hawaiian dancer. Kim is of Italian and Puerto Rican descent. She is a big fan of French cheese and wine. During the late 1990s, she was headed in a singer-songwriter direction and was recruited by Sarah McLachlan to appear in the final installment of her Lilith Fair women tour festival in 1999. She is married to Derek Axelrod. During the early 2000s, Sozzi released an album and several singles as a pop-rock performer. Eventually, some of these singles were remixed by New York City dance producers, and the songs crossed over into the New York dance and club scene, where they became hits. She also found success in the European club scene with these dance mixes. Because Sozzi was difficult to pronounce in some foreign dialects, Kim went by the name of STYLES for the European market. In 2004, while still trying to make a name for herself in America as a mainstream pop singer, the New York based dance duo, MYNT, sought Sozzi to sing vocals on a track that they were producing and planning to release as their debut single, a camped up cover of Mantroniks house classic How Did You Know. Sozzi agreed to sing vocals on the track, which was credited to Mynt featuring Kim Sozzi, and eventually decided to join Mynt as a permanent member when the song found heavy success in American clubs and even on popular New York City radio stations such as KTU and Z100. The song eventually peaked at #1 on the Hot Dance Music/Club Play chart. It stayed at #1 on the airplay chart at KTU for over 14 weeks. The song was the second most played song on KTU in 2004. She released another single with Mynt titled Back In Love. She has since left the group and has signed to Ultra records as Kim Sozzi. Kim released her second single, Stay, in early 2005. It caught on across the country rather than mainly only in the New York area, a first for a Sozzi single. Her single Alone received heavy rotation on Sirius Satellite Radios dance station (The Beat) after being released in March 2006. The song is a cover version of the Heart classic. Kims brand of Dance-pop is sleek and firecely catchy. It strongly ignores any rap influence. Kims new single Break Up, the (Cascada Mix) won the battle of The Fresh Beats on KTU on September 1, where it received 75% of the vote. Kims vocals and sound have been compared to that of 90s Canadian dance icon Emjay. Next up for Kim is a smash duet with the bad boy of dance, Lucas Prata. It is a remake of the Human Leagues Dont You Want Me. The duo premiered the track at Mirage on Long Island on New Years Eve and it is expected to be included on the upcoming Kim Sozzi Ultra Records release. Discography Albums * Life Goes On (Unreleased) Singles * 2001 - Feelin Me #4 (U.S. Hot Dance Club Play), #27 (U.S. Hot Dance Music/Maxi-Singles Sales) * 2001 - We Get Together * 2005 - How Did You Know * 2005 - Stay * 2006 - Alone * 2006 - Break Up #23 UK * 2007 - Dont You Want Me (with Lucas Prata) * 2008 - Like a Star

Slalom - A112 Abarth - Fabrizio Mini - Linguaglossa 2004

Thu, 24 Apr 2008 08:06:09 -0400

Video spettacolare di Fabrizio Mini su A112 Abarth cilindrata 1150 a Linguaglossa nel 2004.

No Surrender

Thu, 14 Aug 2008 08:33:47 -0400

No Surrender Starring Bernadette Walong A Physical TV Company Production in association with the Australian Broadcasting Corporation No Surrender Starring Bernadette Walong SYNOPSIS No Surrender tells the story of a young Indigenous woman who is invaded, terrorised and physically attacked by an unseen intruder wielding a camera. As she nears the point of surrender, the woman’s spirit separates from her body and, through the language of dance and spiritual movement, she finds the strength to fight back and overcome her attacker. No Surrender is a film about the struggle between invasion and resistance. It is about the incredible capacity of the human spirit to overcome insurmountable odds. No Surrender previewed in October 2001 at Popcorn Taxi in Sydney, launched by Paul Clarke, Head of Entertainment and Music at ABC TV. SCREENINGS (2002-2005) St Kilda Film Festival in Melbourne; TTV Performing Arts on Screen in Riccione, Italy; the Commonwealth Film Festival in Manchester, England; the Woods Hole Film Festival in Massachusetts, USA; the International Festival of New Film in Split, Croatia; the ReelDance International Dance on Screen Festival in Australia in Sydney, Adelaide, Perth, Melbourne and Lismore (touring thereafter to the University of Melbourne and to Argentina as part of Festival Buenos Aires Danza Contemporanea); Short Trips @ The Melbourne Fringe 2002 Best Film Award; the Manly ScreenWorks Short Film Festival; Fano International Film Festival in Italy; IMZ dance screen in Monte Carlo; Anchorage Film Festival in Alaska; The Kinesthetic Eye, An International Dance for Camera Screening, in Minneapolis and in Wellington; Constellation Change Screen Dance Festival in London; Dance Moments at the Goethe-Institut in Krakow; Canberra Short Film Festival; Captured: A Videodance Series at Dance Theatre Workshop, in New York City; Park City Film Music Festival in Utah (twice); Festival Castel dei Mondi in Andria, Italy; Noosa Film Society in regional NSW; CineMoves: A Forum for the Exhibition of Dance and Movement on Film, in Sydney Short Sited and Film Illawarra in Wollongong; The Third Video Art and Artistic Video Review: Video Dia Loghi, in Turin, Italy; Cockatoo Island Festival, Sydney; Limmud Oz, Festival of Jewish Learning and Culture, Sydney. BROADCASTS No Surrender was broadcast nationally in Australia on ABC TV in May 2002 and showcased on TV Slovenia in June 2002. It is distributed to the non-theatrical market in Australia and New Zealand in 2003 by Marcom Projects and in the USA by Artworks Video. ScreenSound Australia has invested in a 35mm archival film print for its Australian Dance Collection. It has been acquired by the National Film and Video Lending, a screen studies collection owned by the National Library of Australia and managed by the Australian Centre for the Moving Image (ACMI). AWARDS No Surrender won Best Experimental Film at the 2002 Annual ATOM Awards for Film, Television, Radio & Multimedia in Melbourne, and Best Music for a Short Film in the 2002 APRA-Australian Guild of Screen Composers Screen Music Awards. In international competition for Awards for Best Impact of Music in Independent Film at the 2004 Park City Music Festival, Utah, No Surrender won the Gold Medal for Excellence: Audience Favorite in Short Films. It was Highly Commended by the Australian Cinematographers' Society and Shortlisted for Best Sound Design at the Australian Screen Sound Guild Awards - both in the Short Film category. It was Shortlisted for the 2002 ReelDance Awards and a Finalist for the Short Trips @ The Melbourne Fringe 2002 Best Film Award. REVIEW in REALTIME/On Screen June/July 02 by Keith Gallasch “In a dramatic reversal of one of cinema’s favorite tropes, the pursuit of the terrified woman, the subject of No Surrender’s gaze, an Indigenous woman (dancer Bernadette Walong), wakes to find a camera (our point of view) prying between her thighs. A violent chase ensues, rich in night time colour, strange locations and hand-held urgency until the woman’s spirit is unleashed in an ecstatic dance. She turns on the camera with fists, kick-boxing knockouts and flame, the shattered lens flickering to faltering readouts. No Surrender exploits digital possibilities to the painterly max with slo-mo strokes, sudden zooms and deft super-impositions. In a cinema with wrap-around sound, as at the Popcorn Taxi Sydney premiere, music and sound design stunningly amplify the immersive quality of the cinematography. It’s a rare experience for the audience being cast as the baddy.” REVIEW in THE SYDNEY MORNING HERALD August 7, 2002 by Jill Sykes Excerpt from “Diversity of dance on the big screen”, a review of the ReelDance International Dance on Screen Festival at The Studio, Sydney Opera House. “Australian and New Zealand contributions, shortlisted from the ReelDance awards, tended to look for the intense and dramatic more often than the humorous or quirky. “No Surrender, performed by Bernadette Walong to the choreography and direction of Richard James Allen, is a powerful partnership of performance and screen techniques. The nightmare attack – on a person, country or culture – …after its valiant conclusion, No Surrender emerges as a memorable short film.” REVIEW in REALTIME/New Media Scan 2002: film October/November 02 by Hunter Cordaiy Excerpt from “Sometimes it goes like this…” “Exploring the plasticity of the image through digital effects is part of the drive behind the best experimental short films, where the compression of time and image makes the wondrous especially effective. Physical TV’s ATOM award-winning short dance film, No Surrender is a good example (http://www.artmedia.com.au/physical_tv.htm). Director Richard Allen calls it “a digital age story” where the camera (cinematographer Andrew Commis, editor Karen Pearlman) is a malevolent presence on screen, forcing the audience to question the intention of the technology used to construct the narrative. This too is a form of interactivity, but more subtle and ultimately intelligent. No Surrender points the way to the possibilities that abound when collaboration occurs across forms and new technologies are integrated into the totality of the vision.” KEY CREW Writer, Choreographer, Director: Richard James Allen Music: Michael Yezerski Performed by: Synergy and Veronique Serret Producers: Isabel Perez, Richard James Allen, and Karen Pearlman Director of Photography: Andrew Commis Production Designer: Lea Lennon Costume Designer: Justine Seymour Editor: Karen Pearlman Sound Designer: Liam Price Titles Designer: Trish Dixon Script Consultant: Linda Aronson Artistic Consultant: Bernadette Walong Production Company: The Physical TV Company in association with the Australian Broadcasting Corporation Executive Producers for the Physical TV Company: Richard James Allen and Karen Pearlman Executive Producer for the ABC: Paul Clarke Copyright © 2002 The Physical TV Company Pty Ltd

KLM 777-200 Arrival into Cape Town, South Africa

Wed, 25 Feb 2009 03:40:05 -0500

This is a short video made during the approach into Cape Town International Airport in South Africa on a KLM Boeing 777-200 in February 2004.