Kou shibasaki - invitation : AOL Video feed

RASC J-Pop Top 20 (2009.10.10)

Sun, 25 Oct 2009 02:31:39 -0400

mihimaru GT Unlock (2 Weeks/Peak:12) Yuzu Niji (5 Weeks/Peak:01[1x]) Hatsune feat. KEN THE 390 Akai Ito (5 Weeks/Peak:04) Do As Infinity Eternal Flame (1 Week/Peak:18) Kou Shibasaki Lover Soul (3 Weeks/Peak:12) Angela Aki Ai No Kisetsu (3 Weeks/Peak:07) ... RASC j-pop j-music countdown top YUI ヒルクライムいきものがかり "INFINITY 16" 若旦那 JAY’ED "Tokyo No.1 Soul Set" HALCALI 今夜はブギー・バック中島美嘉 SEAMO YU-A m-flo 菅原紗由理 "DREAMS COME TRUE" 東方神起 B'z "DAISHI DANCE" AI 倖田來未

Ange - Moi Dix Mois [cover]

Mon, 09 Nov 2009 23:48:58 -0500

ange, moi dix mois, audacity, joyce costa, mix, mana, juka, jrock, visual kei

Dir en grey - Myaku

Mon, 09 Nov 2009 21:12:54 -0500

Myaku lyrics in japanese and spanish ... from Dir en grey ... ... direngreymyaku jrock die kto shinya toshia metal

Shahid Quintet - Invitation to Black Power, part 1

Wed, 18 Feb 2009 03:44:49 -0500

Source: <a target="_blank" rel="nofollow" href="http://www.officenaps.com/2007/12/message-from-ghetto.html">http://www.officenaps.com/2007/12/message-from-ghetto.html</a> "1. Shahid Quintet, Invitation to Black Power, part I (S and M) Despite its reference to the "long, hot summer” - Detroit’s deadly spell of rioting and discord in 1967 - I believe that “Invitation to Black Power” was actually produced in Chicago. The selection was likely recorded in 1968 or 1969 - after Martin Luther King, Jr.’s April 1968 assassination, certainly. But no substantive light can be shed on the Shahid Quintet or Richard or Earl Shabazz, who, either way, were probably not related. (Shabazz is a frequent surname assumed by Nation of Islam adherents.) "Its mysteries aside, “Invitation to Black Power” is a fascinating, a one-of-a-kind snapshot of a particular dimension of the black inner-city experience of the late ‘60s. It’s a bit amateur, sure, and its format is more a throwback to earlier beat-poetry-with-cool-jazz collaborations than the screeching saxophones and intellectual aspirations of contemporaries like Archie Shepp or Amiri Baraka. But it succeeds in one account: running down, humorously and unpretentiously, the Nation of Islam promise of rebirth, equality and separation of the races. "Which is not to say that “Invitation to Black Power” was ever a proselytizing tool espoused, officially or otherwise, by the Nation of Islam in the local communities. It has more the flavor of a vanity project, the handiwork of a ragged jazz combo and two men with poetic and theatrical proclivities and the zealous energies of the converted. "Earl Shabazz and Richard Shabazz might have envisioned their record finding its way to their local Black Nationalist bookstore, they might have seen it being sold at local poetry readings. Some forty-odd years later, though, they likely wouldn’t have foreseen that their recording had landed mostly in hands of white record collectors, the inevitable home to such cultural ephemera."

Shahid Quintet - Invitation to Black Power, part 2

Wed, 18 Feb 2009 03:44:48 -0500

Source: <a target="_blank" rel="nofollow" href="http://www.officenaps.com/2007/12/message-from-ghetto.html">http://www.officenaps.com/2007/12/message-from-ghetto.html</a> "Shahid Quintet, Invitation to Black Power (S and M) "Despite its reference to the "long, hot summer” - Detroit’s deadly spell of rioting and discord in 1967 - I believe that “Invitation to Black Power” was actually produced in Chicago. The selection was likely recorded in 1968 or 1969 - after Martin Luther King, Jr.’s April 1968 assassination, certainly. But no substantive light can be shed on the Shahid Quintet or Richard or Earl Shabazz, who, either way, were probably not related. (Shabazz is a frequent surname assumed by Nation of Islam adherents.) "Its mysteries aside, “Invitation to Black Power” is a fascinating, a one-of-a-kind snapshot of a particular dimension of the black inner-city experience of the late ‘60s. It’s a bit amateur, sure, and its format is more a throwback to earlier beat-poetry-with-cool-jazz collaborations than the screeching saxophones and intellectual aspirations of contemporaries like Archie Shepp or Amiri Baraka. But it succeeds in one account: running down, humorously and unpretentiously, the Nation of Islam promise of rebirth, equality and separation of the races. "Which is not to say that “Invitation to Black Power” was ever a proselytizing tool espoused, officially or otherwise, by the Nation of Islam in the local communities. It has more the flavor of a vanity project, the handiwork of a ragged jazz combo and two men with poetic and theatrical proclivities and the zealous energies of the converted. "Earl Shabazz and Richard Shabazz might have envisioned their record finding its way to their local Black Nationalist bookstore, they might have seen it being sold at local poetry readings. Some forty-odd years later, though, they likely wouldn’t have foreseen that their recording had landed mostly in hands of white record collectors, the inevitable home to such cultural ephemera."

NANA KITADE - my treasure PV by me

Wed, 14 Oct 2009 15:31:56 -0400

me singing my treasure by kitade nana i hope you like it. i’m not a singer or musician it's just for fun thanks for watching! soon i'll add more songs by high and mighty color glay the gazette jrock and pop stay tuned! nana kitade is one of my favorite jpop atists i like her so much she is so gothic pretty lolita ... nana kitade pv my treasure tsukihana japanese pop rock gothic lolitas jpop jrock mika nakashima high and mighty color

jrock halloween 2009

Thu, 15 Oct 2009 15:44:27 -0400

happpy! halloween this is made to be cute & fun ... LM.C Ghost Heart 88 bell the cat sora An Cafe AROMA Wagamama Koushinkyouku Escapism Merrymaking SuG vi 39GalaxyZ P!NK masquerade Alice Nine White Prayer MIRROR BALL Hana jrock jpop anime

Stino Mubi et papa Wemba- invitation

Sun, 11 Oct 2009 13:04:00 -0400

Stino Mubi - invitation. Album invitation