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Super Natural 1X21

Tue, 26 May 2009 05:41:58 -0400

SUPERNATURAL 1X21 - SALVATION Original Airdate (WB): 27/APR/2006 WRITTEN BY SERA GAMBLE & RAELLE TUCKER DIRECTED BY ROBERT SINGER TRANSCRIPT PROVIDED BY REBECCA FOR "TWIZ TV.COM" DO NOT ARCHIVE/POST/USE THIS TRANSCRIPT WITHOUT PERMISSION! ========================== DISCLAIMER: ========================== The following is not a novelization or an actual script but a dry transcript of the aired episode that includes accurate word-to-word dialogues, settings descriptions, action scenes and/or camera movements where the transcriber felt they were necessary. This transcript is posted on "TWIZ TV.COM" in world wide web exclusivity by courtesy of REBECCA. "SUPERNATURAL" and other related entities are owned, (TM) and ?by WARNER BROS. TELEVISION in association with WONDERLAND SOUND AND VISION. This transcript is posted here without their permission, approval, authorization or endorsement. Any reproduction, duplication, distribution or display of this material in any form or by any means is expressly prohibited. It is absolutely forbidden to use it for commercial gain. For entertainment and educational purposes only. No infringement intended. ========================== TRANSCRIPT: ========================== (The episode begins with a recap of the entire season, accompanied by Kansas?밅arry On My Wayward Son?) (FADE IN: INT. ?Church. Morning. Blue Earth, Minnesota. PASTOR JIM MURPHY is at the altar, looking through a book. Suddenly, the candles around him flicker, as if a wind is blowing. The church door opens, and MEG enters, slightly distraught.) JIM: Good morning. Can I help you? MEG: I kind of?I need to talk. (She sits down in a pew. JIM walks over to her.) JIM: Well, that뭩 what I뭢 here for. MEG: I뭭e done some things뾫ot good things. JIM: Well, there뭩 always forgiveness for us if we seek it. MEG: For everyone? Are you sure? JIM: I like to say salvation was created for sinners. Tell me what뭩 on your mind. (MEG sighs.) MEG: Well, I뭭e lied?a lot. I뭭e stolen. I뭭e lusted. And the other day, I met this man뾞 nice guy, you know? And we had a really good chat뾱ort of like this. (She pauses briefly.) Then I slit his throat and ripped his heart out through his chest. (JIM is puzzled. MEG blinks. When she opens her eyes, they are coal-black.) Does that make me a bad person? JIM: (shocked) I know what you are. (He starts to back away from her. She blinks again, and her eyes return to normal.) You can뭪 be here. This is hallowed ground. (She stands up.) MEG: Please. Maybe that works in the minor leagues뾟ut not with me. (JIM runs away from her, down a flight of stairs.) (CUT TO: Church Basement. JIM enters and closes the doors behind him. He blocks the doors with a piece of wood and moves over to a large array of weapons. He finds the knife he is looking for and picks it up just as MEG kicks the doors open. He hurls the knife at her, but she catches it. JIM is stunned.) MEG: You throw like a girl. (JIM begins backing away from her.) JIM: What do you want? MEG: The Winchesters. JIM: I haven뭪 spoken to John Winchester in over a year. You뭨e wasting your time. Even if I did know where they were, I뭗 never tell you. MEG: I know. (She raises the knife and slits his throat. JIM falls into a chair. MEG walks away, grinning, as JIM is left to bleed to death. The screen goes black.) (FADE IN: INT. ?Motel Room. Manning, Colorado. Maps, newspaper articles, books, and photographs cover the walls and tables. JOHN is seated at a desk, and DEAN and SAM are standing. The Colt revolver is on the desk, on top of several papers.) JOHN: So, this is it. This is everything I know. Look, our whole lives we뭭e been searching for this demon, right? And not a trace, just nothing?until about a year ago. For the first time, I picked up a trail. DEAN: That뭩 when you took off. JOHN: Yeah, that뭩 right. The demon must have come out of hiding or hibernation. DEAN: All right, so, what뭩 this trail you found? JOHN: It starts in Arizona, then New Jersey, California뾥ouses are burning down to the ground. It뭩 going after families?just like it went after us. SAM: Families with infants? JOHN: Yeah뾲he night of the kid뭩 six-month birthday. SAM: I was six months old that night? JOHN: Exactly six months. SAM: So, basically, this demon is goin?after these kids for some reason뾲he same way it came for me? So, Mom뭩 death, Jessica뾦t뭩 all 멵ause of me? DEAN: We don뭪 know that, Sam. SAM: Oh, really, 멵ause I뭗 say we뭨e pretty damn sure, Dean. DEAN: For the last time, what happened to them is not your fault. SAM: Yeah, you뭨e right, it뭩 not my fault, but it뭩 my problem! DEAN: No, it뭩 not your problem, it뭩 our problem! JOHN: Okay. That뭩 enough. (He stands up. They are all silent for a minute.) SAM: So, why is it doing it? What does it want? JOHN: Look, I wish I had more answers. I do. I뭭e always been one step behind it. Look, I뭭e never gotten there in time to save?(He trails off.) DEAN: All right, so, how do we find it before it hits again? JOHN: There뭩 signs. Look, it took me a while to see the pattern, but in the days before these fires, signs crop up in an area뾠attle deaths, temperature fluctuations, electrical storms. And then I went back and checked, and? DEAN: These things happened in Lawrence. (JOHN nods.) JOHN: The week before your mother died. (He turns to SAM.) And in Palo Alto?before Jessica. And these signs뾲hey뭨e starting again. SAM: Where? JOHN: Salvation, Iowa. (CUT TO: Road. Shortly after entering Salvation, Iowa, JOHN pulls over to the side of the road. DEAN and SAM do the same. They all get out of their cars.) JOHN: Damn it. DEAN: What is it? JOHN: Son of a bitch! DEAN: What is it? JOHN: I just got a call from Caleb. DEAN: Is he okay? JOHN: He뭩 fine. Jim Murphy is dead. SAM: Pastor Jim? (JOHN nods.) How? JOHN: Throat was slashed뾥e bled out. (DEAN and SAM are stunned.) Caleb said they found traces of sulfur at Jim뭩 place. DEAN: The demon. (JOHN nods slightly.) The demon? JOHN: I don뭪 know. Could be he just got careless, he slipped up. Maybe the demon knows we뭨e gettin?close. DEAN: What do you want to do? JOHN: Now we act like every second counts. There뭩 two hospitals and a health center in this county. We split up, we cover more ground. I want records. I want a list of every infant that뭩 gonna be six months old in the next week. SAM: Dad, that could be dozens of kids. How the hell are we gonna know which one뭩 the right one? JOHN: We뭠l check 멷m all, that뭩 how. You got any better ideas? SAM: (after a pause) No, sir. (They move to get back into the car. JOHN turns back to his truck but stops.) DEAN: Dad? (After a moment, JOHN turns to face them.) JOHN: Yeah?it뭩 Jim. You know, I can뭪?(He trails off, sad.) This ends. Now. I뭢 ending it. I don뭪 care what it takes. (He gets into his truck, and DEAN and SAM get into the car.) (CUT TO: EXT. ?Salvation Women and Children뭩 Hospital. JOHN pulls up outside the building in his truck. He opens his glove compartment and sorts through his fake IDs, before finding a hospital staff ID card. He takes it out and hooks it onto his shirt.) (CUT TO: INT. ?Salvation Iowa Medical Center. A receptionist brings several files over to SAM, who is working at a table.) RECEPTIONIST: Here you go, Officer. SAM: Thank you. (He smiles and continues copying down information from birth certificates.) (CUT TO: INT. ?Salvation Hospital. An attractive young woman is behind the front desk, holding a clipboard. DEAN sees her and raises his eyebrows, impressed. He walks over to her.) WOMAN: Hi. Is there anything I can do for you? DEAN: Oh, God, yes. (She laughs, embarrassed.) Only I, uh?(He clears his throat and shows her his police badge.) I뭢 working right now, so?(He looks disappointed.) (CUT TO: EXT. ?Salvation Iowa Medical Center. SAM is walking out of the building. Suddenly, he sees several images flash in his mind very quickly. He stops and grimaces in pain. More images flash in his mind. He sees a mother placing an infant into her crib. SAM massages his temples and blinks several times. The visions stop momentarily, but then return. A quick succession of images includes the woman opening a bedroom door to see a man standing over the crib. Another vision shows the woman looking out her window to watch a passing train. When the visions stop, SAM takes a map out of his bag, breathing heavily.) SAM: Train?(He unfolds the map and sees that a railroad runs past one of the streets in town. SAM walks away to find it.) (CUT TO: Street. SAM is following the map and eventually finds the house from his visions. He looks around and sees the woman from his visions, MONICA, walking down the street, pushing a baby carriage and holding an umbrella. He walks over to her.) SAM: Hi. (He holds the baby carriage while she closes her umbrella.) Here, let me hold that. You don뭪 need that anymore. MONICA: Thanks. (They laugh. SAM looks at Rosie, the baby in the carriage.) SAM: She뭩 gorgeous. Is she yours? MONICA: Yeah. SAM: Oh, wow. (to Rosie) Hi. (to MONICA) I뭢 sorry, I뭢 rude. I뭢 Sam. I just moved in up the block. (He shakes her hand.) MONICA: Oh, hey, I뭢 Monica. This is Rosie. SAM: Rosie? Hi, Rosie. MONICA: So, welcome to the neighborhood. SAM: Thank you. She뭩 such a good baby. MONICA: I know. I mean, she never cries. She just stares at everybody. Sometimes she looks at you, and I swear, it뭩 like she뭩 reading your mind. SAM: What about you, Monica? Have you lived here long? MONICA: My husband and I, we bought our place just before Rosie was born. SAM: How old is Rosie? MONICA: She뭩 six months today. (SAM is stunned and doesn뭪 say anything.) It뭩 big, right? Growin?like a weed. (SAM smiles half-heartedly.) SAM: Yeah. (He doesn뭪 say anything for a minute. MONICA is clearly confused by his behavior.) Monica? MONICA: Yeah? (He pauses, looking sad.) SAM: Just take care of yourself, okay? MONICA: Yeah. You, too, Sam. We뭠l see you around. SAM: Yeah. Definitely. (He walks away. MONICA뭩 husband pulls in the driveway.) MONICA: (to Rosie) Oh, there뭩 Daddy. (SAM watches them from across the street. Suddenly, more images begin flashing through his mind. SAM grimaces and clutches his head in pain. Then, the vision begins. In Rosie뭩 nursery, the clock on the wall suddenly stops. Her mobile begins moving on its own. We see the shadow of a man walking towards Rosie뭩 crib. Then, MONICA enters the room, dressed in a white nightgown. She sees the demon standing over the crib.) What are you?? (The demon looks at her, and she is suddenly pinned against the wall. Unable to move, she is moved up to the ceiling as she begins to cry.) Rosie! Rosie! (She continues to call Rosie뭩 name. A pool of blood appears at MONICA뭩 waist as she cries, helpless. The nursery goes up in flames. The screen goes black.) (FADE IN: INT. ?Motel Room. SAM is sitting at a table, massaging his temples. DEAN and JOHN are watching him as they sit on the beds.) JOHN: A vision? SAM: Yes. I saw the demon burning a woman on the ceiling. JOHN: And you think it뭩 gonna happen to this woman you met because?? SAM: Because these things happen exactly the way I see them. DEAN: It started out as nightmares, and then he started havin?them when he was awake. (He gets up and walks to the other side of the room.) SAM: Yeah. It뭩 like the closer I get to anything involving the demon, the stronger the visions get. JOHN: All right, when were you gonna tell me about this? DEAN: We didn뭪 know what it meant. JOHN: All right, something like this starts happening to your brother, you pick up the phone, and you call me. DEAN: (walking over to JOHN) Call you? Are you kiddin?me? Dad, I called you from Lawrence, all right? Sam called you when I was dying. Gettin?you on the phone뾋뭭e got a better chance of winnin?the lottery. JOHN: (after a pause) You뭨e right. Although I뭢 not real crazy about this new tone of yours, you뭨e right. I뭢 sorry. SAM: Look, guys, visions or no visions, the fact is, we know the demon is coming tonight. And this family뭩 gonna go through the same hell that we went through. JOHN: No, they뭨e not. No one is, ever again. (SAM뭩 cell phone rings. He answers it. The scene alternates between the motel room and an unknown location.) SAM: Hello? MEG: Sam? SAM: Who is this? MEG: Think real hard. It뭠l come to you. SAM: (shocked) Meg. Last time I saw you, you fell out of a window. MEG: Yeah, thanks to you. That really hurt my feelings, by the way. SAM: Just your feelings? That was a seven-story drop. MEG: Let me speak to your dad. SAM: My dad뾋 don뭪 know where my dad is. MEG: It뭩 time for the grown-ups to talk, Sam. Let me speak to him, now. (SAM reluctantly hands the phone to JOHN.) JOHN: This is John. MEG: Howdy, John. I뭢 Meg. I뭢 a friend of your boys. I뭢 also the one who watched Jim Murphy choke on his own blood. (JOHN looks as if he is about to cry.) Still there, John boy? JOHN: I뭢 here. MEG: Well, that was yesterday. Today, I뭢 in Lincoln?visiting another old friend of yours. (We see that CALEB is tied in a chair with a gag in his mouth.) He wants to say hi. (She takes the gag out of his mouth and holds the phone in front of him.) CALEB: John, whatever they do, don뭪 give?She takes the phone away.) JOHN: Caleb? (DEAN and SAM look worried.) Caleb. (to MEG) You listen to me. He뭩 got nothing to do with anything. You let him go. MEG: We know you have the Colt, John. JOHN: I don뭪 know what you뭨e talking about. MEG: Oh. Okay. So, listen to this. (She slashes CALEB뭩 throat. She lets JOHN listen to CALEB gagging before dying completely.) JOHN: Caleb? Caleb! (MEG takes the phone back.) MEG: Can you hear that? That뭩 the sound of your friend dying, now let뭩 try this again. (JOHN is devastated.) We know you have the gun, John. Word travels fast. So, as far as we뭨e concerned, you just declared war. And this is what war looks like뾦t has casualties. JOHN: I뭢 gonna kill you, you know that? MEG: Oh, John, please. Mind your blood pressure. So, this is the thing뾵e뭨e gonna keep doing what we뭨e doing, and your friends, anyone who has ever helped you, gave you shelter, anyone you ever loved뾲hey뭠l all die unless you give us that gun. (JOHN sighs.) I뭢 waiting, Johnny. Better answer before the buzzer. JOHN: (quietly) Okay. MEG: Sorry? I didn뭪 quite get that. JOHN: I said okay. I뭠l bring you the Colt. MEG: There뭩 a warehouse in Lincoln, on the corner of Wabash and Lake. You뭨e gonna meet me there. JOHN: It뭩 gonna take me about a day뭩 drive to get there. MEG: Meet me there at midnight tonight. JOHN: That뭩 impossible. I can뭪 get there in time, and I can뭪 just carry a gun on a plane. MEG: Oh. Then I guess your friends die, don뭪 they? (JOHN sighs, frustrated.) If you do decide to make it, come alone. (She hangs up, and JOHN does the same. MEG turns to look at CALEB뭩 dead body.) What the hell are you lookin?at? (She walks away. Back at the motel, JOHN is talking with DEAN and SAM.) SAM: So, you think Meg is a demon? JOHN: Either that or she뭩 possessed by one. It doesn뭪 really matter. DEAN: What do we do? JOHN: I뭢 going to Lincoln. DEAN: What? JOHN: It doesn뭪 seem like I have a choice. If I don뭪 go, a lot of people die. Our friends die. SAM: Dad, the demon is coming tonight for Monica and her family. That gun is all we뭭e got. You can뭪 just hand it over. JOHN: Who said anything about handing it over? Look, besides us and a couple vampires, no one뭩 really seen the gun. No one knows what it looks like. DEAN: So, what, you뭨e just gonna pick up a ringer at a pawn shop? JOHN: Antique store. DEAN: You뭨e gonna hand Meg a fake gun and hope she doesn뭪 notice? JOHN: Look, as long as it뭩 close, she shouldn뭪 be able to tell the difference. DEAN: Yeah, but for how long? What happens when she figures it out? JOHN: I just뾋 just need to buy a few hours, that뭩 all. SAM: You mean for Dean and me. (JOHN is silent.) You want us to stay here?and kill this demon by ourselves? JOHN: No, Sam. I want to stop losing people we love. I want you to go to school. I want Dean to have a home. (He turns away from them, crying.) I want Mary alive. (He turns back to them.) I just?I just want this to be over. (SAM and DEAN exchange a tearful look.) (CUT TO: Road. JOHN and SAM are at JOHN뭩 truck, getting weapons ready. DEAN pulls up in his car, gets out, and approaches them.) JOHN: Did you get it? (DEAN pulls out the fake gun, wrapped in paper, and hands it to JOHN.) DEAN: You know this is a trap, don뭪 you? That뭩 why Meg wants you to come alone. JOHN: I can handle her. I got a whole arsenal loaded뾥oly water, Mandaic amulets?p>DEAN: Dad? JOHN: What? DEAN: Promise me something. JOHN: What뭩 that? DEAN: This thing goes south, just get the hell out. Don뭪 get yourself killed, all right? You뭨e no good to us dead. (JOHN pauses briefly.) JOHN: Same goes for you. All right, listen to me. (He takes the real Colt out of his coat pocket.) They made the bullets special for this Colt. There뭩 only four of 멷m left. Without 멷m, this gun is useless. You make every shot count. SAM: Yes, sir. JOHN: I뭭e been waiting a long time for this fight. Now it뭩 here, and I뭢 not gonna be in it. It뭩 up to you boys now. It뭩 your fight. You finish this. You finish what I started. You understand? (They nod. JOHN hands the real Colt to DEAN, who puts it in his coat pocket.) SAM: (confidently) We뭠l see you soon, Dad. (JOHN nods and smiles.) JOHN: I뭠l see you later. (He gets in his truck and drives away. DEAN and SAM watch him leave.) DEAN: Later. (The screen goes black.) (FADE IN: EXT. ?Warehouse. JOHN gets out of his truck, makes sure he has everything he needs, and continues on. He stops when he hears a noise. He notices a water tower on the roof of the warehouse.) (CUT TO: INT. ?Warehouse. JOHN is in the boiler room, making sure he has a way to turn on the water later.) (CUT TO: EXT. ?Monica뭩 House. DEAN and SAM are parked across the street, watching the house from inside the car.) SAM: Maybe we can tell them there뭩 a gas leak. Might get 멷m out of the house for a few hours. DEAN: Yeah, and how many times has that actually worked for us? (SAM says nothing, defeated.) SAM: Could always tell 멷m the truth. (DEAN gives him a knowing look.) DEAN: Nah. SAM: I know. I know, I know. I just뾵ith what뭩 coming for these people?p>DEAN: Sam, we뭭e only got one move, and you know it, all right? We뭭e got to wait for that demon to show itself, and then we get it before it gets them. (SAM nods.) SAM: I wonder how Dad뭩 doing. DEAN: I뭗 feel a lot better if we were there backin?him up. SAM: I뭗 feel a lot better if he were here backin?us up. (They both say nothing and continue to watch the house.) (CUT TO: EXT. -?Warehouse. JOHN has reached the roof of the building. MEG is looking for him, but she does not notice him. When she does finally look to the roof, JOHN is not there. MEG walks away. JOHN comes out from behind the water tower and climbs the ladder leading to the top of it. He opens the top of the tower and takes out a set of rosary beads. He says a prayer in Latin and throws the blessed beads into the water, then closes the door of the water tower.) (CUT TO: EXT. ?Monica뭩 House. DEAN and SAM are still watching the house from their car.) SAM: This is weird. DEAN: What? SAM: After all these years, we뭨e finally here. It doesn뭪 seem real. DEAN: We just got to keep our heads and do our job like always. SAM: Yeah, but this isn뭪 like always. DEAN: True. SAM: Dean, uh?(DEAN turns to look at him.) I wanna thank you. DEAN: For what? SAM: For everything. You뭭e always had my back, you know? Even when I couldn뭪 count on anyone, I could always count on you. And now?I don뭪 know, I just wanted to let you know뾧ust in case. DEAN: Whoa, whoa, whoa, are you kiddin?me? SAM: What? DEAN: Don뭪 say, 밓ust in case somethin?happens to you? I don뭪 wanna hear that freakin?speech, man. Nobody뭩 dyin?tonight. Not us, not that family, nobody뾢xcept that demon. That evil son of a bitch ain뭪 gettin?any older than tonight, you understand me? (SAM nods, and they resume watching the house.) (CUT TO: INT. ?Warehouse. MEG turns and sees JOHN standing several feet away.) MEG: John, you made it. Too bad, really. I was hoping to kill more of your friends. JOHN: Sorry to disappoint. MEG: I can see where your boys get their good looks. But I must admit, considering what they say about you, I thought you뭗 be?taller. (JOHN says nothing.) Well, aren뭪 you the chatty one? You wanna get to business? Fine. (She moves closer to him.) Why don뭪 you hand over the gun? JOHN: If I give you the gun, how do I get out of here? MEG: Well, if you뭨e as good as they say you are, I뭢 sure you뭠l figure something out. JOHN: Maybe I뭠l just shoot you. MEG: You wanna shoot me, baby? Go ahead. It won뭪 end anything. There뭩 more where I came from. (TOM, her handsome accomplice, comes into the room.) JOHN: Who the hell뭩 that? MEG: He뭩 not nearly as much fun as I am, I can tell you that. So, I suggest you give us the gun. (JOHN does not move.) Now! (JOHN takes the fake gun out of his pocket and hands it to her. She examines it.) This is the Colt? (He nods. She hands it to TOM.) What do you think? (TOM takes it from her. He looks at it closely, then, surprisingly, shoots MEG. She stumbles backwards, but is unharmed.) You shot me! I can뭪 believe you just shot me! TOM: It뭩 a fake. (He throws the gun to the side. MEG glares at JOHN. The screen goes black.) (FADE IN: INT. ?Warehouse. JOHN is still standing with MEG and TOM.) MEG: You뭨e dead, John. Your boys are dead. JOHN: I never used the gun. How could I know it wouldn뭪 work? MEG: I뭢 so not in the mood for this. I뭭e just been shot! JOHN: Well, then, I guess you뭨e lucky the gun wasn뭪 real. MEG: That뭩 funny, John. We뭨e gonna strip the skin from your bones, but that was funny. (For a moment, MEG looks at TOM. While she is looking away, JOHN is able to run into another room. He locks the door behind himself and opens a trapdoor leading into the boiler room. MEG and TOM follow him. JOHN turns on the faucet, and water comes spraying out at MEG and TOM. They keep walking, thinking they will be unharmed. However, when TOM steps in the water, his shoes begin to sizzle and burn. He jumps back in pain.) Holy water, John. Real cute. (JOHN smiles and leaves the warehouse.) (CUT TO: EXT. ?Monica뭩 House. DEAN and SAM are still watching the house from inside their car. DEAN is trying to call JOHN.) DEAN: Dad뭩 not answering. (He hangs up.) SAM: Maybe Meg was late. Maybe cell reception뭩 bad. DEAN: Yeah, well?(He goes silent. Suddenly, the car radio turns to static.) SAM: Dean, wait. Listen. (They try to tune the radio, but the reception is completely gone. The leaves outside begin to blow around. The lights in the house begin to flicker rapidly. DEAN and SAM exchange a knowing look.) It뭩 coming. (They get out of the car.) (CUT TO: EXT. ?Warehouse. JOHN goes to his truck to find that his tires have been slashed.) JOHN: Damn it. (He looks around, trying to find another way out.) (CUT TO: INT. ?Monica뭩 House. DEAN picks the lock, and he and SAM enter the house. After a moment, MONICA뭩 husband, CHARLIE, enters with a baseball bat. He swings at DEAN, but DEAN pins him against the wall.) CHARLIE: Get out of my house! Get out of my house! SAM: Mr. Holt, please. DEAN: Be quiet and listen to me. We뭨e trying to help you, okay? MONICA: (OS) Charlie, is everything okay down there? CHARLIE: Monica, get the baby! SAM: No, don뭪 go in the nursery! CHARLIE: You stay away from her! (MONICA enters the nursery. Just as in SAM뭩 vision, the demon is standing over Rosie뭩 crib.) MONICA: What are you?? (When the demon looks at her, MONICA gets pinned to the wall. Just as she is being raised to the ceiling, SAM enters the room. The demon turns to look at him. Its eyes are a fiery orange. SAM raises the gun and shoots the demon, but it dissolves into a cloud of black smoke. When it disappears, MONICA falls to the floor.) SAM: Where the hell did it go? (He helps MONICA to her feet and starts to take her out of the room. DEAN runs into the nursery.) MONICA: My baby! SAM: Dean뭩 got her. (DEAN picks up Rosie and takes her out of the crib just as it goes up in flames.) (CUT TO: EXT. ?Warehouse. JOHN stops running and realizes he has nowhere to go. He takes out his cell phone. As he is dialing, he is suddenly pinned against a wall by an invisible force. He screams in protest. TOM comes out from behind the building and walks over to JOHN. Still pinned to the wall, he raises a few feet off the ground and continues to cry in pain.) (CUT TO: EXT. ?Monica뭩 House. The bedroom window explodes, sending glass and debris everywhere. SAM and MONICA come out of the house, followed by DEAN, who is carrying Rosie. CHARLIE is outside.) CHARLIE: You get away from my family! MONICA: Charlie, don뭪! They saved us. (She takes Rosie from DEAN.) They saved us. (CHARLIE kisses her forehead.) Thank you. (SAM turns and looks up at the bedroom window. His eyes widen. The silhouette of the demon can be seen at the window.) SAM: It뭩 still in there. (He moves to go back into the house, but DEAN stops him.) DEAN: Sam, no! (They wrestle with each other for a minute.) SAM: Dean, let me go! It뭩 still in there! DEAN: Burning to the ground뾦t뭩 suicide! SAM: I don뭪 care! DEAN: I do! (They let go of each other. They look up at the window and see the demon once more before it disappears. Both of them continue staring, angry. The screen goes black.) (FADE IN: INT. ?Motel Room. DEAN is trying to call JOHN again, while SAM sits on the bed.) DEAN: Come on, Dad. Answer your phone, damn it. (He hangs up.) Something뭩 wrong. (SAM doesn뭪 answer.) You hear me? Something뭩 happened. SAM: If you had just let me go in there, I could have ended all this. DEAN: Sam, the only thing you would have ended was your life. SAM: You don뭪 know that. DEAN: So, what, you뭨e just willing to sacrifice yourself, is that it? SAM: (standing up) Yeah. Yeah, you뭨e damn right I am. DEAN: Yeah, well, that뭩 not gonna happen뾫ot as long as I뭢 around. SAM: What the hell are you talkin?about, Dean? We뭭e been searching for this demon our whole lives. It뭩 the only thing we뭭e ever cared about. DEAN: Sam, I wanna waste it. I do, okay? But it뭩 not worth dyin?over. SAM: What? DEAN: I mean it. If huntin?this demon means you gettin?yourself killed, then I hope we never find the damn thing. SAM: That thing killed Jess. That thing killed Mom. DEAN: You said yourself once?that no matter what we do, they뭨e gone. And they뭨e never comin?back. (Suddenly, SAM grabs DEAN by his shirt and pins him up against the wall.) SAM: Don뭪 you say that! Don뭪 you뾫ot after all this, don뭪 you say that! DEAN: (emotionally) Sammy, look?the three of us뾲hat뭩 all we have. And that뭩 all I have. Sometimes I feel like I뭢 barely holdin?it together, man. (SAM, with tears in his eyes, lets go of DEAN.) Without you and Dad?(SAM turns away from DEAN.) SAM: Dad?(They are both silent for a minute.) He should have called by now. Try him again. (DEAN picks up his cell phone and dials JOHN뭩 number. The scene alternates between the motel room and the warehouse, where MEG answers the phone.) MEG: You boys really screwed up this time. (DEAN is infuriated.) DEAN: Where is he? MEG: You뭨e never gonna see your father again. (DEAN and SAM exchange a look of concern and anger. The screen fades to black.) To Be Continued ========================== Transcribed by REBECCA for http://www.twiztv.com ==========================

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Scientists find hole in Earth's magnetic field

Mon, 12 Jan 2009 22:32:46 -0500

Educational Cell Phone Ebookhttp://www.emfnews.orgLOS ANGELES – Recent satellite observations have revealed the largest breach yet seen in the magnetic field that protects Earth from most of the sun's violent blasts, researchers reported Tuesday. The discovery was made last summer by Themis, a fleet of five small NASA satellites.Scientists have long known that the Earth's magnetic field, which guards against severe space weather, is similar to a drafty old house that sometimes lets in violent eruptions of charged particles from the sun. Such a breach can cause brilliant auroras or disrupt satellite and ground communications.Observations from Themis show the Earth's magnetic field occasionally develops two cracks, allowing solar wind — a stream of charged particles spewing from the sun at 1 million mph — to penetrate the Earth's upper atmosphere.Last summer, Themis calculated a layer of solar particles to be at least 4,000 miles thick in the outermost part of the Earth's magnetosphere, the largest tear of the protective shield found so far."It was growing rather fast," Themis scientist Marit Oieroset of the University of California, Berkeley told an American Geophysical Union meeting in San Francisco.Such breaches are temporary, and the one observed last year lasted about an hour, Oieroset said.Solar flares are a potential danger to astronauts in orbit but generally are not a risk to people on the surface of the Earth.The research was funded by NASA and the National Science Foundation.Scientists initially believed the greatest solar breach occured when the Earth's and sun's magnetic fields are pointed in opposite directions. But data from Themis found the opposite to be true. Twenty times more solar wind passed into the Earth's protective shield when the magnetic fields were aligned, Oieroset said.Cell Tower Protection

South Tower Survival - Rules

Sun, 08 Nov 2009 20:21:34 -0500

New roommates discuss rules required for living together. If you liked this video or any of our other videos subscribe or become of a fan of us on facebook @www.facebook.com ... Nocturnal Emissions rules south tower survival guitar "peanut butter" cake college "party like a rockstar" "shop boyz"

Pokemon Diamond / Pearl Walkthrough Part 29

Sun, 09 Mar 2008 13:08:48 -0400

Whoops, typo in the beginning. It should say 29. Sorry for the hold up with this walkthrough. This time, I head off to Veilstone City. It is a long way. I’ve edited the battles to help fit in the whole video so sorry about that. Thank You and Enjoy ... Pokemon Diamond Pearl Part 29 Veilstone City Lost Tower Soleceon Town

World Trade Center / Burj Dubai / Nakheel Tower Crysis

Fri, 10 Oct 2008 01:43:56 -0400

Here's the third test-modeling video with yet another tower! Just this week during Dubai's "Cityscape" developer / architectural / real estate conference, Emaar's chief competitor Nakheel showcased their ambitious plans for "Nakheel Tower" - a skyscraper community of 200+ floors reaching at least 1,000 meters (1KM or 3,280 feet) high. The particular forum thread for the tower on Skyscrapercity's forums shows a height of 1,170 meters and a width of 100 meters so that is what I modeled here in this video (the width of the bulk of the tower is about the same as the base of the Burj Dubai for reference). Being a skyscraper fan I thought it'd be interesting to put one of the former World Trade towers in a random island modeling of the game world - now coupled with the newest soon-to-be Earth's Tallest Structure, the Burj Dubai Tower in Dubai, UAE - updated even further with Nakheel's "Nakheel Tower". Again, the goal of the mod wasn't meant for testing the physics of the game but moreso accurately portraying the towers to help myself and others understand the scale where tall buildings once were and where they're going. WTC Model designed in 3ds Max and imported into the CryEngine. BD Model drafted tier by tier in AutoCAD, then imported into 3ds Max and exported into the CryEngine. Nakheel Tower estimated from various renderings released by the company on SSC and the official nakheelharbour.com project website. The floorplan extrusions were created in CAD, and a rough 3d model created in 3ds Max was then imported into the Sandbox CryEngine. THANKS to Fury, Culwulla, and others for contributing the floorplan designs, tier heights, and other statistical data over at Skyscrapercity - one of the the largest skyscraper forums on the Web! Due to difficulties getting textures to work, you'll have to forgive the bleakness of the buildings. From the original video, at least a simple steel material was used to eliminate some bleakness. Due to the shear complexity of the BD tower, not all tiers look perfect, and the higher ones are most certainly mis-scaled in terms of their width (though the height of each tier is correct). Also, simply due to strugging to even import a somewhat complex model through two different 3d design programs, the modeling for Nakheel Tower is NOT perfect by any means but should suffice for the general shape. The CryEngine for whatever reason did NOT like cones from Max so the top of the spire / pinnacle is a cylinder instead ;) Music is a composure of Arabian themes used by Nakheel for presentation of the tower online. I cut out most of the voice for effect. Both sets of "String" and "Grand" types of music are created by Nakheel. The second track is "Divinity II" by Nobuo Uematsu for Final Fantasy VII Advent Children.... During the tower scene ^_^. Comments welcome. Stupid, accusative, or argumentative comments will be deleted, thanks. Be sure to watch it in High Quality for the altimeter.

The Tower - e04 Productions student film bible story "Tower of Babel"

Sat, 03 Oct 2009 07:32:51 -0400

Video done in 9th grade by Mr. Cline’s 5th period bible class at GACS. We had to take a story from the Old Testament and modernize it. So we decided to use the Tower of Babel story and insert cell phones to talk to God instead of a tower to reach God. This was the first video ever made by e04 productions... ... "the tower" "tower of babel" bible god video funny "music video" "30 seconds to mars" "angel falls" "student film"

EIFFEL TOWER AT ITS BEST!!!

Mon, 19 Oct 2009 11:10:46 -0400

dazzling piece of wonder. Wonderful scenes outbeat other towers in the world. Regarded as the best spot in paris. Best tourist destination and attracion of paris. Honeymoon spot for newly wed couples. If your looking for a vacation in France, paris is a must see tourist destination. Regarded as a great wonder of the world. Coolest place in paris! Hot spot of paris. Major towers in the world with a magnificient construction and architechture. Special spot of paris espeacially France ...