Winlaton sword dancers, 1920. : AOL Video feed

Re_Acciona

Tue, 10 Nov 2009 01:44:19 -0500

Experience Re_ in a way you’ve never seen before. Re_ is an attitude. A call to action to begin the thousand actions we need to do together. And to do it now. http://re.acciona.com

Evil 1920's Stickman

Wed, 28 Nov 2007 03:26:34 -0500

This is a test animation for my upcoming movie, Evil 1920's Stick man. Here he is twirling his mustache.

红猪 cd1

Thu, 20 Aug 2009 13:02:17 -0400

【作品介绍】《红猪》（紅の豚，kurenai no buta，港译飞天红猪侠）是1992年吉卜力工作室推出的一部动画电影。“红猪”并没有英文片名，但是有意大利文的名称“Porco Rosso”。　　《红猪》是以宫崎骏在一本模型杂志上连载的漫画故事为基础改编的动画电影。该漫画是《宫崎骏杂想NOTE》中的其中一个短篇，名字叫做《飞空艇时代》，全水彩编绘，共15页。（在电影完场时播出的插画就是出自该漫画的）　　《红猪》将背景设定在二十世纪二十年代的意大利，同样是欧洲风味的背景和音乐，为了更加真实地表达出欧洲当地的风土人情，制作委员会曾到过阿德里亚沿海进行实地考查。期中一幕在阿德里亚海的黄昏底下，远处点缀着波鲁克的红色飞机，画面非常吸引！听说制作时最困难的其中一处是表达飞机在天空上飞的画面，传统的方法是将飞机的静态图在背景上移动生成动画，但《红猪》里有很多飞机空战场面，所以制作组最终还是决定一格一格地将飞机的具体动作画出来，这样令制作成本增加了不少，不过大家看完影片后都觉得物有所值。另外，该电影的制作还起用了STUDIO GHIBLI的年轻新进工作者，所以影片的风格也有小小的不同。　　主人公虽然生得一付猪的脸孔，却异常的受到女性的欢迎呢。剧中的两位女主角年龄跨度不小，但都是一如既往地真心喜欢着波鲁克。　　《红猪》是宫崎骏一部带有自传性质的电影，宫崎骏自喻为剧中主人公波鲁克，将自己的那种处在俗世而身不由己的矛盾构思成波鲁克的传奇故事。【故事梗概】　　片中的时代背景被设在第一次世界大战结束不久后的意大利。1920年代的亚德里亚海，一群无恶不作的空中海盗横行无忌，他们到处抢掠（除了一间酒吧）。前意大利空军英雄，一生挚爱飞行的波鲁克决意从人世的庸俗生活中脱身而出，自施魔法变成一头猪(虽然有些离谱，但也是宫崎骏的创作魅力所在)，凭借出色的技术驾驶红色飞艇孤身与横行在亚德里亚海的空中强盗周旋，以赚取赏金逍遥度日。海盗们为了对付波鲁克，从美国请来外援“马面人”卡奇斯（猪头对马面）。因为飞机出了问题，波鲁克被卡奇斯打败了。在17岁的飞艇设计师菲欧的精心设计下，一架全新高性能的飞机诞生了。　　影片的高潮是波鲁克和卡奇斯之间展开的一场惊险而又滑稽的赌博。其实他们两人的争斗不仅仅是为了维护各自的名誉，同时也是围绕着两个女性的争夺。这两个女性——17岁的飞艇设计师菲欧，和亚德里亚海飞行员心目中的女神吉娜——都是改变主人翁波鲁克生活态度的至关重要的角色。影片在结尾处却一反宫崎骏其他剧作，保留了一个悬念不作答：主人翁波鲁克是否真正恢复了人形？他后来又在过怎样的一种生活？　　带着激情在蓝天碧波间畅游，拥有名望和荣誉，却也有孤独和悔恨。这就是波鲁克·罗梭，亚德里亚海上的“红猪”。　　以动画大师宫崎骏最喜爱的天空做为故事进行的舞台，加上蔚蓝地中海上空令人目不暇接的飞行艇追逐、深具传奇色彩的人物描绘，“红猪”是您珍藏宫崎骏动画不容错过的经典之作！整部作品情节连贯、紧凑，张弛有度。几场空战的场面紧张激烈，多次利用镜头重叠的手法，以期让观众得到一种超越时间的速度感。结尾构思精巧，让人感觉多少有些意料之外，但细细一想却又在情理之中。一句典型带有宫崎风格的双关语巧妙地将沉浸在惆怅与感慨中的观众拉回现实，并给予他们一丝重获希望的悬念，确实是大师手笔。　　正如宫崎骏的其他作品一样，这个故事也发生在充满魔幻色彩的世界里。“魔幻”往往被用作一个重要的道具，以发挥他超乎常人的想象力，打破常规，让一切不合理的成为合理，让观众在现实世界中形成的种种固定观念被逐一瓦解，把观众慢慢带入一个引人入胜的奇幻世界中，同时也让观众一次一次享受着以意外的方式打破这些观念所带来的刺激和惊喜。但是，宫崎骏的影片之所以没有变成单纯的魔幻片或儿童片，正是因为其中真实且细致的情感刻画。在他笔下，甚至连非人类的动物也展现出各种极具人性化的神态和动作。【作品相关】红猪是一个少数宫崎骏有清楚定义时代背景的作品，除了波鲁克由于诅咒的原因变成猪，带有超自然现象味道之外，主要的时代与场景均是依照现实世界进行详细的设定。并且对于当时的义大利进行了深度的研究，由片中许多的细节中可以看出（虽然部分的义大利语有拼错字的现象）。虽然红猪的时间设定为两次世界大战中间，依照剧情的提示，应是在1930年代的经济大萧条时代，但是根据作品中的女性服装，则是1920年代的。并且，作品中有多次的提到法西斯，因此红猪的作品虽设定于1920年代，但实际上为了剧情需求，影片中的人物、场景与物品设定仍做了一些变动。动画里出现的水上飞机大部分均是现实世界中曾经出现过的，如波鲁克的座机为萨沃伊亚S21（虽然与实机有部分差异），卡地士的为柯蒂斯-莱特公司所制的R3C-0，还有一些第一次世界大战的Lohner T1。　　1992年，宫崎骏转型。他撇开一贯的少年探险情节，选择了1920年代的意大利为背景，以一只面临中年危机的猪面飞行员“波鲁克”，作为电影《红猪》（红の猪）男主角。在日本本土，“波鲁克”击败了《美女与野兽》和《虎克船长》的好莱坞攻势，稳稳占据票房首位。虽然Ghibli从不因市场考虑制作所谓“国际口味”影片，《红猪》还在法国、台湾等地获得了成功的票房成绩，尚·雷诺为法语版“波鲁克”配音。　　《红猪》是宫崎骏作品中经常被遗忘的一部，但宫崎骏为此实在倾注了不少心血——不仅仅是他绘画的心血，更多的是他剖析自我的心血。在国家，时代，生活意义这样严肃的命题中，他塑造出一个充满矛盾的“酷猪”形象以自喻。既不失卡通文化的精髓，又蕴藏着对于自身和所处时代的深刻洞察力。所以，波鲁克应该就是世间最酷的“猪”了。波鲁克也在片中多次的评论了法西斯，虽然片中没有明示波鲁克为什么变成了猪，但剧中暗示了波鲁克变成猪的原因，是由于他不愿意成为法西斯的打手而加入军队，宁可成为猪也不愿当一个法西斯者。值得注意的是，波鲁克本来是空战的英雄，却因为反对法西斯而被指责为"怠惰的猪"，于是在人们的眼中，他就真的变成一头猪了，或许可说是宫崎骏对法西斯社会的批判和讽刺吧。另有说法是为了跟Gina 保持距离，以保持对他死去的朋友的忠诚(主角战友和Gina 的最后一任丈夫)。

1920's Ganster Party

Sun, 14 Oct 2007 12:52:14 -0400

This is the party thrown by my good Friends - Dr. M. 1920's attire was required along with two bottles of wine per guest. Murder Mystery broke out in the middle of the party.

Cinderella's Twin - 1920 - Trailer - Viola Dana

Fri, 12 Oct 2007 16:05:25 -0400

A trailer for the 1920 film Cinderella's Twin with Viola Dana

TopOradea-Oradea 1920

Sat, 26 Jan 2008 10:52:09 -0500

Oradea Veche din 1920

kerkük türkmen şehridir ( KIRKUK IS A TURKOMAN CITY ) mosul

Sun, 08 Jul 2007 08:45:30 -0400

The Turkomans constitute the majority of the population in the cities and districts like Telafer, Arbil, Altunköprü, Kirkuk, Tazehurmatu, Tavuk, Tuzhurmatu, Kifri ve Karatepe, as well as in the region lying along the route which passes from the south of Mosul, and which was called as the "Silk Road" in history" kerkük türkmen şehridir KIRKUK IS A TURKOMAN CITY 1) The Turkoman "Beylik"s (Turkish Principalities ruled by a Bey) and States founded in Kirkuk are the proofs of the fact that it is a Turkoman city. On the other hand, no Kurdish state or Beylik having Kirkuk within its boundaries has ever been founded in the region. The Turkoman states and "Beylik"s which covered the region within their boundaries and the period of years passed under their rule are :a. Iraqi Seljuk State 1118 - 1194 b. "Atabeylik"s (a type of Beylik)1) "Atabeylik" of Mosul 1127-1233 (2) Beylik of Arbil 1144-1233c. Ilhanlilar State 1258 -- 1339 d. Celayirliler State 1339 -- 1410 e. Karakoyunlu State 1411 -- 1468f. Akkoyunlu State 1468 - 1508 2 ) Information proving the Turkoman ethnic composition of the city of Kirkuk : A- The largest and oldest neighborhoods of Kerkük are inhabited by Turkomans : Begler-Sarikahya-Saturlu-Cirit Square-Imam Abbas- Musalla -- Çukur -- Piryadi -- Zive - Ahi Hüseyin-Agalik Square-Altuncular-Neftçiler-Avci- Yeni Tisin-Tisin-Hamzalilar-Hasa -Mahatta Road-Baghdad Road-Çiniçiler-Almas-Bulag -Helveçiler. (The neighborhoods of Kurds are : Imam Kasim-Sorca-Rahimava-Azadi-Kirmizi Kilise-Iskan (even those names are in Turkish, and excluding the neighborhood of Imam Kasim , all of them have been established during the last 50 years). B - In Kirkuk, Turkoman families are the most crowded ones, whose roots going to very early times :Neftçi- Yakubi- Hürmüzlü- Gedik- Avci- Salihi- Celali- Kirdar- Kasaplar- Bayrakdar-Alemdar- Pasvan- Kölemen- Terzibasi- Beyatli- Koçak- Tikritli- Bazirgan- Saatçi- Küzeçi- Naib- Kazi- Sari Kehye- Sabuncu- Kayaci- Akkoyunlu- Köprülü- Avuçlu-Demirci- Samanci- Ketene- Çelebi- Bolyemez-Dizdar-YüzügülmezC -- Graveyards in a city are important; as they indicate the ethnic composition of the city and the dominant ethnic group there, depending on to whom they belong to. The largest and oldest graveyards in Kirkuk are those belonging to the Turkomans. Names of the Turkoman graveyards are :Musalla- Ahmed Aga- Sehitler - Neftçi- Hürmüzlü - Talimtepe- Seyit Allavi -- Imam Ahmet -- Seyit Yusuf.D -- Even though in Iraq the mayors were brought to office through appointment, during the period of 1920-1980, 8 Turkoman mayors had been appointed, while the number of Kurdish mayors had been only 2. The Turkoman mayors who had been in office during the said period are : Mecit Yakubi- Baki Aga- Abdurrahman Piryaddi- Sadik Sarraf- Samil Yakubi- Nurettin Vaiz-Hisamettin Salihi-Mazhar Tikritli- Nazim Salihi- Ibrahim Mohammed.(After 1980 Arab mayors were appointed) (The Kurdish mayors who had been in office during the period of 1920-1980 : Sheikh Habib Talabani-Sheikh Fazil Talabani )E -- In Kirkuk, activities related with press had always been carried out by the Turkomans : 1. The newspapers and magazines published in Turkish in Kirkuk during the Ottoman period: Havadis Paper 1911 A.D. (Gregorian Calendar) Maarif Paper 1913 A.D.Kevkeb-i Maarif Paper2. During the rule of Iraqi State Nemce 1918 A.D. The weekly named KIRKUK had been published in Arabic and in Turkish during a period covering approximately 50 years (1926-1874) by the Kirkuk Municipality in Kirkuk.Teceddüt 1920 Ileri 1935 Afak 1954 Besir 1959F - In Kirkuk, all of the singers are Turkoman : Osman Teplebas- Resit Küle Riza- Mustafa Kalayi- Molla Veli- Saltag- Muçula- Malallah- Molla Taha-Serif- Mahav- Salih Havala-Mehmet Çulboyun- Ali Merdan-Siddik Bende Gafur- Abdulvahit Kuzeci- Abdurrahman Kizilay- Izzettin Nimet- Kerim Kölemen- Kerkük kizi- Fahrettin Ergeç- Ekrem Tuzlu- Faik Bazirgan- Faik Neccar- Sima Berber- Ali Kaleli- Tahsin Kerkükoglu-Sami Celali-Mehmet Camci- Muhammed Rauf - Ibrahim Rauf. Türkalan - Yayçi- Topzava- Kübetler- Tisin- Çardakli- Yahyava- Besir- Türkeskan- Kizilyar- Ömer Mendan- Yarimca- Hamzeliler- Kara Hasan. HomeHello, piyade38 (5) My Account History Help Log Out kerkük türkmen şehridir ( KIRKUK IS A TURKOMAN CITY ) mosul kerkük türkmen şehridir ( KIRKUK IS A TURKOMAN CITY ) mosul kerkük türkmen şehridir ( KIRKUK IS A TURKOMAN CITY ) mosul kerkük türkmen şehridir ( KIRKUK IS A TURKOMAN CITY ) mosul kerkük türkmen şehridir ( KIRKUK IS A TURKOMAN CITY ) mosul kerkük türkmen şehridir ( KIRKUK IS A TURKOMAN CITY ) mosul

Aelita 1920's Russian Sci-fi film extract

Mon, 21 Jan 2008 13:03:32 -0500

This is an extract of a Sci-fi film made back in 1920's Russia. Aelita was the queen of space who fell in love a man on earth after seeing him on her futuristic television.