Whip It - [Training B-Roll]

of the material. Production values are naturally first rate, with a vivid color palette and in-your-face costumes that are occasionally (and appropriately) over the top. Cinematographer Robert D. Yeoman and editor Dylan Tichenor work perfectly in sync by reflecting both the snail’s pace of Bliss' home life vs. the secret one that flies on wheels around the Austin track. Camera-work places the viewer directly into the action. Despite having been filmed primarily in Michigan (due to ...